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Carole Baijings Studio for Design

Thomas Eyck
Luce di Carrara
Petite Friture
Fatboy
Up To Do Good
Petite Friture
Petite Friture
Thomas Eyck
Petite Friture
Fatboy
Cor Unum
Fatboy
Fatboy
Basketclub
Thomas Eyck
Fatboy
Fatboy
Fatboy
Petite Friture
Fatboy
Fatboy
Fatboy
Fatboy
Up To Do Good
Thomas Eyck
MSMSHP
Thomas Eyck
Wooden Narrative
Colorwheel – Stylex
Thomas Eyck
Fatboy
Wooden narrative
Fatboy
Basketclub
Up To Do Good
Wooden narrative
Fatboy
Petite Friture
Thomas Eyck
Plated collection for Maeda Woodworks
Wooden narrative
Basketclub
Basketclub
Luce di Carrara
Basketclub
Thomas Eyck
Plated collection for Maeda Woodworks
Basketclub
Basketclub
Fatboy
Fatboy
Up To Do Good
Wooden narrative
Wooden narrative
Petite Friture
Luce di Carrara
Petite Friture
Luce di Carrara
Wooden narrative
Wooden narrative
Creative direction – Stylex
Petite Friture
Wooden narrative
Luce di Carrara
Luce di Carrara
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Carole Baijings Studio for Design is deep in the creative process – designing their first jewelry collection alongside a range of inspired pieces: sofas, side chairs, flower pots, tea towels, lights, rugs, textiles, curtains, tableware, coat racks, color wood plates, sunglasses, and more. Always open to new collaborations and creative conversations. Reach out to discuss what we can create together.

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My design philosophy has always been the ‘Atelier-Way-of-Working’. That means that I hand-make my own colours, materials, and models and in doing so create new and unique shapes and forms. I have an eye for detail, and working by hand allows me to achieve that precision – whether it’s finding that exact shade of fluorescent pink or slightly tweaking the proportions of a seat for a more comfy sit.

Colour is my truest passion. It’s at the heart of what I design and something I like to toggle with from start to finish. Colour, and with it ideas of transparency, layering and grids have the potential to add so much dimensionality to a piece – it’s so much more than just the icing on the cake!

Nature is a big inspiration for my work. I like to say that flowers can never be too vulgar, no matter how bright they are. So that’s something I’m constantly challenging myself to further explore: how can I incorporate these bold colours whilst still achieving a sense of refinement?

I’m certainly no stranger to a touch of fluorescent – in fact, it’s almost become a signature. It used to be a real challenge to produce these fluorescents in different materials but over time and with the introduction of colour-fast inks, it’s increasingly achievable. To say I’m pleased is an understatement.

I’ve been fortunate to work with prestigious brands and museums – all of which have their own unique ethos and history. Understanding thisDNAand exactly what each brand stands for is my starting place and a great source of inspiration. When collaborating, I strive for a finished product where we can honestly say that we see reflections of both our identities.

Contact

Pilotenstraat 18C
1059 CJ Amsterdam
The Netherlands

info@carolebaijings.com
+31(0)650244473
@carolebaijings

www.scholtenbaijings.com
@scholtenbaijings

Clients

Ahrend,Artifort,1616 / Arita Japan,2016 /,The Art Institute of Chicago,Bardelli,_basketclub_,BMWGroup / MINI,Cooper Hewitt Smithsonian Design Museum,Design Within Reach,Established & Sons,Fatboy,Fortnum & Mason,Gelderland,George Jensen,HAY,Herman Miller,IKEA,J. HILL’s Standard,Karimoku New Standard,Kvadrat,London Design Festival,Luce di Carrara,Maharam,Moooi,Moroso,Museum Boijmans van Beuningen,Pastoe,Phaidon,Pressalit,Rijksmuseum Amsterdam,Samsung,Schönbuch,Skyline Design,Stedelijk Museum Amsterdam,Stedelijk Museum ‘s Hertogenbosch,Manufacture de Sèvres,TextielMuseum,Thomas Eyck,Up To Do Good,Velux,Verreum,Victoria & Albert Museum,Zuiderzee Museum.

Credits

Studio, and ‘A Pop of Colour’ for Fatboy photography byInga Powilleit.
‘My Mask’ and ‘Mask Mist’ for Up To Do Good photography byMyrthe Giesbers.
Website byFält.